Pesquisando por: "MIMI PARENT" - Fotoarena - Agência de fotojornalismo

akg5564998 Parent, Mimi; 1924-2005. "Le vrai visage de la Victoire de Samothrace" (Ds wahre Gesicht der Nike von Samothrake", 1985. Öl und Mischtechnik, 102 x 73 x 16 cm. Zum Zeitpunkt der Aufnahme im Besitz der Künstlerin. Museum: PRIVATE COLLECTION. Copyright: Additional copyrights must be cleared.

akg5564997 Parent, Mimi; 1924-2005. "Tableau mélancolique" (Melancholisches Gemälde), 1986/87. Öl und Mischtechnik, 61 x 64 x 15,5 cm. Zum Zeitpunkt der Aufnahme im Besitz der Künstlerin. Museum: PRIVATE COLLECTION. Copyright: Additional copyrights must be cleared.

akg5565002 Parent, Mimi; 1924-2005. "Il était grill-heure", 1956. Öl und Mischtechnik, 83 x 100 cm. Privatsammlung. Museum: PRIVATE COLLECTION. Copyright: Additional copyrights must be cleared.

akg668041 Joubert, Alain, geb. 1936, French writer. Alain Joubert with a mask by Jean- Claude Silbermann and Nicole Espagnol with a mask by Mimi Parent during a surrealist meating. Photo, April 1960 by Denise Bellon. (1902-1999). From the series: André Bretonet les Surréalistes au Désert de Retz. Copyright: Manipulation of image strictly forbidden. Additional copyrights must be cleared.

akg668038 Hirtum, Marianna van; French-Belgian lyricist; 1925-1988. During a meeting of surrealist artists at the Désert de Retz: Marianne van Hirtum (right) and Niccole Espagnol wearing a Mimi Parent mask. Photo, April 1960, by Denise Bellon (1902-1999). From the series: André Breton and the group of surrealists in the Désert de Retz. Copyright: Manipulation of image strictly forbidden.

alb4224347 'Spoiled Child'. France, Early 1760s. Dimensions: 66,5x56 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE GREUZE.

MCDTUAF_EC007 TUESDAY, AFTER CHRISTMAS, (aka MARTI, DUPA CRACIUN), from left: Mirela Oprisor, Mimi Branescu, Sasa Paul-Szel, 2010. ?orber Films/courtesy Everett Collection/Fotoarena

akg3815070 Writing essays in vernacular Chinese for the influential magazine La Jeunesse, Zhou was a key figure in the May Fourth Movement. He was an advocate of literary reform, and called for literary reform. In a 1918 article, he called for a 'humanist literature' in which 'any custom or rule that goes against human instincts and nature should be rejected or rectified'. As examples, he cited children sacrificing themselves for their parents and wives being buried alive to accompany their dead husbands. Zhou's ideal literature was both democratic and individualistic. On the other hand, Zhou made a distinction between 'democratic' and 'popular' literature. Common people may understand the latter, but not the former. This implies a difference between common people and the elite.. His short essays, with their refreshing style, have won him many readers since then up to the present day. An avid reader, he called his studies 'miscellanies', and penned an essay title 'My Miscellaneous Studies'. He was particularly interested in folklore, anthropology and natural history. He was also a prolific translator, producing translations of classical Greek and classical Japanese literature. Most of his translations are pioneering, which include a collection of Greek mimes, Sappho's lyrics, Euripides' tragedies, Kojiki, Shikitei Sanba's Ukiyoburo, Sei Shonagon's Makura no Soshi and a collection of Kyogen. He considered his translation of Lucian's Dialogues, which he finished late in his life, as his greatest literary achievement. He was also the first one to translate (from English) the story Ali Baba into Chinese (known as Xianü Nu). He became chancellor of Beijing University in 1939. Pictures From History.